wedding photojournalist

wedding photojournalist

wedding photojournalist

by choice.

not force.

kate

müller

I don't take photos that reflect trends.
I take photos that reflect you.

I don't take photos that reflect trends.
I take photos that reflect you.

Nie robię zdjęć, które odzwierciedlają trendy.
Robię zdjęcia, które
odzwierciedlają Was.

Wedding Coverage

I wait until you forget I'm there. Until you stop smiling on command. Until you simply... are.

I photograph the second when grandpa squeezes your hand – and knows this is his last wedding. When you look at him thinking 'I'm scared' – and he's thinking the exact same thing. These seconds don't come back. I just make sure they stay.

Engagement Session

Engagement Session

Engagement Session

Getting used to the idea that someone's watching. And discovering it's not that terrifying.

We meet in a place that means something to you.
Or in a place that means nothing – sometimes that's better.

Wedding session

For couples who still like each other after the wedding.
And want to document it.

Could be in the mountains. Could be at a corner store. Could be by the water. Could be underwater. The dress can get dirty – what's the point of keeping it pristine anyway? Photos from the times when you were already married, but hadn't yet figured out what that meant.

Destination wedding

Destination wedding

Destination wedding

You're running from 'what people say.' Running toward 'what we want.'
I grab my camera and fly with you.

I photograph not just the wedding, but the moment when your mother-in-law stops talking about decorations on the plane and starts reading a book. Those moments when everyone stops being just family at a wedding, and starts being people on a shared adventure.

Portrait and Family

Portrait and Family

Portrait and Family

For those who want to see themselves without masks. Or in new masks. Depends on the day.

No 'say cheese.' Lots of 'who are you?' Business portrait that doesn't look like stock photography.
Artistic portrait that looks like you on your life's best Monday.
Family portrait where daily chaos is the daily bread.

BLOG

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BLOG

02

One frame isn't the whole story

In the photo, you see a moment – on the blog, you'll learn what happened before, during, and after.
These aren't stories like 'it was a beautiful day.' These are my front-row notes.

In the photo, you see a moment – on the blog, you'll learn what happened before, during, and after.
These aren't stories like 'it was a beautiful day.' These are my front-row notes.

Na zdjęciu widzicie tylko moment - na blogu poznacie, co działo się przed, w trakcie i po.

To nie są opisy typu "był piękny dzień". To moje zapiski z pierwszego rzędu.

PROCESS

03

PROCESS

03

The road is long. But it leads home.

This is a sample workflow for a wedding reportage. Why sample?
Because there's no universal path.
Each one is different and we adjust it individually.

01

ONLINE

FIRST CONVERSATION

30 MIN

I'm not here with an offer - I start by listening - we're simply checking if we fit

Be yourselves. Not the perfect couple from Pinterest.
We talk about your day, your fears, your 'what will mom say.'

If we don't click, better to find out now than on your wedding day.

1-2 HOURS

still Apart

ENGAGEMENT SESSION

Dress rehearsal for being yourselves in front of the lens

We usually start stiff. We end up reminiscing about the stupid things from your first date.

Photos that will remember you as you were before.

02

03

LIMINAL TIMA

WEDDING DAY

AROUND 12 HRS

I show up before the stress starts bubbling and stay until it disappears - until exhaustion mixed with happiness hits

I see grandma adjusting your dress.
I see hands trembling during vows.

I remind you that this is your day and steal you away for a brief session.

FINALLY TOGETHER

AFTER THE WEDDING

24 HOURS

48 HOURS

Sneak Peek within 24h (about 10 photos) - before emotions dissolve into daily life

I extract the essence, poetry, a story capable not just for documentation but also interpretation

Each photo gets my full attention: color, light, emotion, story

04

05

Showtime

COMPLETE GALLERY

60 DAYS

From 10h of reportage I select min 400 photos - not the technically correct ones, but those that will remind you how you felt

You choose prints. For the frame on the wall or to give to your guests. To relive these moments.

Everything packed in a personalized gift box. What engraving will you choose? "Anna and Tom," or maybe "Bonnie & Clyde"?

Your "yes" is the only moment of its kind in the history of the universe. Why should it look like all the others?

Your "yes" is the only moment of its kind in the history of the universe. Why should it look like all the others?

Your "yes" is the only moment of its kind in the history of the universe. Why should it look like all the others?

TESTIMONIALS

04

TESTIMONIALS

04

FAQ

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FAQ

05

Things you wish to know
but you're afraid to ask

12 weddings a year. I can't and won't do more.
More couples means numbers.
12 couples means faces, names, and Stories with a capital S.

Still a few dates left for 2026:

What if we feel awkward?

Normal. First half hour everyone pretends I'm not there. Then they forget I am. It's a matter of time, not character.

What if we don't like the photos?

That means either you had a bad day, or I had a bad day, or we shouldn't have worked together. That's why we meet first. To check if our "bad days" overlap.

What if it rains?

The best stories start with "remember when it rained?" Rain is a free special effect. But if you really don't want it – I have an umbrella. A big one.

Do we take family photos?

We do. But not the "third from left move over" kind. I photograph families that forgot they're posing. Families in action. In emotion. In truth. You set the rules and we can discuss it.

What if families want 'traditional' photos?

Your wedding, your rules. This isn't about my ego, because I understand most parents frame those photos. Mine did. After those photos, we'll take the real ones, where grandma scans the room pondering how fast life flies, and uncle laughs at his own joke. Guess which ones you'll hang on your wall.

Do you cry at weddings?

Only at the real ones. Which means almost all of them. I used to think it was unprofessional. Now I know – it's proof I'm in the right place.

Why so cheap? Why so expensive?

I understand that planning a budget, you want numbers. Prices? They start at €1900 / $2200 for standard wedding coverage. They grow with your dreams. They shrink when you give up the bullshit. After our conversation, I'll send you the proposal. Not from a catalog. From our conversation.

Why do I see so many black-and-white photos

Black-and-white dominates the site for visual consistency – black doesn't compete with colorful frames in galleries. Additionally, without color, I see the structure of light and emotion more easily. In materials you receive, about 70% is color, 30% is black-and-white.

Working hours, number of photos, travel, accommodation?

I can be with you until midnight. I can be shorter – if your wedding ends earlier because you prefer an intimate dinner to a 10-hour party. I can be longer – if at 2 AM you're still dancing barefoot and grandma just discovered her love for techno. You receive min 400 photos as standard. I observe and photograph everything that happens – from the first tear to the last dance. We discuss travel and accommodation individually

All this talk about not posing. Does that mean you don't do posed sessions at all?

Each form has its time and place. I do. At the wedding we steal away for such a session for a moment – there I mainly document what happens "in between." Engagement session, post-wedding session is a different space. There I work with questions, not commands. Not "now hug," but "show me how you say goodbye, and how you greet each other." I photograph your reactions – those that come from your relationship, shared memories, private gestures. This isn't posing. This is evoking truth through the right question.

12 weddings a year. I can't and won't do more. More couples means numbers, 12 couples means faces, names, and Stories with a capital S.

Still a few dates for 2026 left:

What if we feel awkward?

Normal. First half hour everyone pretends I'm not there. Then they forget I am. It's a matter of time, not character.

What if we don't like the photos?

That means either you had a bad day, or I had a bad day, or we shouldn't have worked together. That's why we meet first. To check if our "bad days" overlap.

What if it rains?

The best stories start with "remember when it rained?" Rain is a free special effect. But if you really don't want it – I have an umbrella. A big one.

Do we take family photos?

We do. But not the "third from left move over" kind. I photograph families that forgot they're posing. Families in action. In emotion. In truth. You set the rules and we can discuss it.

What if families want 'traditional' photos?

Your wedding, your rules. This isn't about my ego, because I understand most parents frame those photos. Mine did. After those photos, we'll take the real ones, where grandma scans the room pondering how fast life flies, and uncle laughs at his own joke. Guess which ones you'll hang on your wall.

Do you cry at weddings?

Only at the real ones. Which means almost all of them. I used to think it was unprofessional. Now I know – it's proof I'm in the right place.

Why so cheap? Why so expensive?

I understand that planning a budget, you want numbers. Prices? They start at €1900 / $2200 for standard wedding coverage. They grow with your dreams. They shrink when you give up the bullshit. After our conversation, I'll send you the proposal. Not from a catalog. From our conversation.

Why do I see so many black-and-white photos

Black-and-white dominates the site for visual consistency – black doesn't compete with colorful frames in galleries. Additionally, without color, I see the structure of light and emotion more easily. In materials you receive, about 70% is color, 30% is black-and-white.

Working hours, number of photos, travel, accommodation?

I can be with you until midnight. I can be shorter – if your wedding ends earlier because you prefer an intimate dinner to a 10-hour party. I can be longer – if at 2 AM you're still dancing barefoot and grandma just discovered her love for techno. You receive min 400 photos as standard. I observe and photograph everything that happens – from the first tear to the last dance. We discuss travel and accommodation individually

All this talk about not posing. Does that mean you don't do posed sessions at all?

Each form has its time and place. I do. At the wedding we steal away for such a session for a moment – there I mainly document what happens "in between." Engagement session, post-wedding session is a different space. There I work with questions, not commands. Not "now hug," but "show me how you say goodbye, and how you greet each other." I photograph your reactions – those that come from your relationship, shared memories, private gestures. This isn't posing. This is evoking truth through the right question.

12 weddings a year. I can't and won't do more. More couples means numbers, 12 couples means faces, names, and Stories with a capital S.

Still a few dates for 2026 left:

What if we feel awkward?

Normal. First half hour everyone pretends I'm not there. Then they forget I am. It's a matter of time, not character.

What if we don't like the photos?

That means either you had a bad day, or I had a bad day, or we shouldn't have worked together. That's why we meet first. To check if our "bad days" overlap.

What if it rains?

The best stories start with "remember when it rained?" Rain is a free special effect. But if you really don't want it – I have an umbrella. A big one.

Do we take family photos?

We do. But not the "third from left move over" kind. I photograph families that forgot they're posing. Families in action. In emotion. In truth. You set the rules and we can discuss it.

What if families want 'traditional' photos?

Your wedding, your rules. This isn't about my ego, because I understand most parents frame those photos. Mine did. After those photos, we'll take the real ones, where grandma scans the room pondering how fast life flies, and uncle laughs at his own joke. Guess which ones you'll hang on your wall.

Do you cry at weddings?

Only at the real ones. Which means almost all of them. I used to think it was unprofessional. Now I know – it's proof I'm in the right place.

Why so cheap? Why so expensive?

I understand that planning a budget, you want numbers. Prices? They start at €1900 / $2200 for standard wedding coverage. They grow with your dreams. They shrink when you give up the bullshit. After our conversation, I'll send you the proposal. Not from a catalog. From our conversation.

Why do I see so many black-and-white photos

Black-and-white dominates the site for visual consistency – black doesn't compete with colorful frames in galleries. Additionally, without color, I see the structure of light and emotion more easily. In materials you receive, about 70% is color, 30% is black-and-white.

Working hours, number of photos, travel, accommodation?

I can be with you until midnight. I can be shorter – if your wedding ends earlier because you prefer an intimate dinner to a 10-hour party. I can be longer – if at 2 AM you're still dancing barefoot and grandma just discovered her love for techno. You receive min 400 photos as standard. I observe and photograph everything that happens – from the first tear to the last dance. We discuss travel and accommodation individually

All this talk about not posing. Does that mean you don't do posed sessions at all?

Each form has its time and place. I do. At the wedding we steal away for such a session for a moment – there I mainly document what happens "in between." Engagement session, post-wedding session is a different space. There I work with questions, not commands. Not "now hug," but "show me how you say goodbye, and how you greet each other." I photograph your reactions – those that come from your relationship, shared memories, private gestures. This isn't posing. This is evoking truth through the right question.

CALENDAR

03

CALENDAR

03

PS: If you made it this far, it means we understand each other without words. Time to check if we understand each other with them too.

PS: If you made it this far, it means we understand each other without words. Time to check if we understand each other with them too.

A marketer friend told me that at the end I should add a so-called call to action.
'If you're looking for someone who...' and so on.

But I think about it differently.

I think if you're already here reading, you probably know what you're looking for.

And if you don't know – even better.

Uncertainty is a good start.

Prefer to write?
Then write

Not sure if I'll be able to help, or maybe you just want to write to me?

No problem.

Write. Or don't.

But if you feel like someone should remind you that this is your day – that's a sign we should talk.

P.S. Yes I genuinely read every message.
P.P.S. No, I don't answer to 'what would be the cheapest?'
P.P.P.S.During the week I reply within 24h, on weekends 48h.